(via freecocaine)
Kanye West is white America’s worst nightmare. Because as much as one may attempt to dismiss him — by calling him an asshole or classless or deranged or various other adjectives that fill the comment sections of literally every article about him — you still have to turn on your regularly scheduled late night comedy program and stare him in the face. You can’t avoid Kanye. He’s made very sure of that.
[…]
Kanye is not a “new slave” in the same sense as the victims of the prison industrial complex, but he is still trapped in a world that expects him to not only be complicit with the struggle of his people, but to be appreciative that he is not one of them. And on top of all that, while he gets to exist in the world of the 1%, having the money and signifiers of success still aren’t enough to make his (white) 1% peers actually even respect him.
[…]
The ideals of Public Enemy are as relevant today as they were in the 80s, but hip-hop was nowhere near as dominant and omnipresent a cultural force as it is at this moment; to compare the reach of their messages is silly. Upper-middle class white families did not have to deal with Public Enemy if they didn’t want to. Similarly with politically-minded “noise rap” artists that have been name-dropped in reviews of Kanye’s new material — it’s all well and good for Death Grips and Blackie and even Killer Mike to espouse similar messages and sounds (and honestly, the sonic qualities of “New Slaves” and “Black Skinhead” are hardly at the top of the list of why they’re important), but none of them have anywhere near the amount of visibility and influence as Kanye, even if they did hit it first.
[…]
People in current positions of comfort and stability are so willing to dismiss the transgressive thoughts of an angry black man that they will use any convenient excuse to diminish from them; if someone says something that makes you uncomfortable, why not immediately change the subject to his girlfriend’s ass or that time he yelled at a papparazzi or that time he got drunk and embarrassed a white girl? When was it exactly that Kanye shifted, in the eyes of the mainstream, from lovable polo-wearing backpacker to perpetually and unanimously An Asshole? When, precisely, did everything he said get immediately categorized as a “rant” or “controversial” regardless of the actual content? I want to say it was around the time when he said that George Bush didn’t care about black people on live tv. Hmm. Odd.
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Meaghan Garvey, Who Will Survive In America? (via machistado)
dude, i will always love kanye west for what he said about bush. always. and that thing he did to that random white chick on stage was just funny…i didnt know who the fuck she was…but she was just the epitome of white chickness that it made my fucking day…
(via guerrillamamamedicine)
(via ethiopienne)
(via blackwomenworldhistory)
Trying to Guess What Hit List Is Actually About
Is it a romantic comedy? A tale of doomed love a la Rome and Juliet? A satire about the price of fame, as Jimmy and Kyle keep insisting? Who knows?! We like to think that the audience is watching a different show every night, one with just enough content to run all of 30 minutes that mainly consist of Karen and Jimmy staring blankly at each other in between Rent-inspired songs. (Thanks to this terrific article, we now have a full synopsis of Hit List, but honestly, our guessing game is still more fun.)Read more: Smash: What We’ll Miss About It
(Source: televisionwithoutpity)
Amazon Creating a Publishing Platform Where Fan Fiction Authors Get Paid.
Today, Amazon Publishing announces Kindle Worlds, the first commercial publishing platform that will enable any writer to create fan fiction based on a range of original stories and characters and earn royalties for doing so. Amazon Publishing has secured licenses from Warner Bros. Television Group’s Alloy Entertainment division for its New York Times best-selling book series Gossip Girl, by Cecily von Ziegesar; Pretty Little Liars, by Sara Shepard; and Vampire Diaries, by L.J. Smith; and plans to announce more licenses soon. Through these licenses, Kindle Worlds will allow any writer to publish authorized stories inspired by these popular Worlds and make them available for readers to purchase in the Kindle Store. [x]
So Alloy aka, the owners of TVD are on board with this. I’m a little dubious. As a fic author who puts a lot of time and effort into my fics, I would love to earn a little something. But if I were a writer and people were making money off my original works, I might be a little upset.
Also, to me, it sort of diminishes the fact that most fan fiction is written from a place or pure love, enthusiasm, and imagination. Putting a price tag on it all seems to dampen the whole idea that is Fic.
I don’t know. Thoughts anyone?
On the one hand this is great and it might even raise the quality of many fanfic writers I just wonder how much traction it will get and if other groups will sign on.
jason
(Source: sc4rymmary, via smoak-queen)